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Exclusive Bonus: my free guide (with examples) on how to find the best camera angles for dialogue scenes when your mind goes blank. How to import video with different codecs There are many codecs and container options out there. Just when you think you have a handle on things, a new codec is announced.

Footage was captured in FCP on a mac at work, HDV quicktime. In Adobe After Effects CS3 or Premiere Pro CS3 on my PC at home. Now at home the files play perfectly in Quick Time, Premiere Pro. That will work on a PC with the ProRes Decoder (which it sounds like you've already downloaded). Adobe Premiere Pro software is a nonlinear video editing application. Powerful real-time video and audio editing tools give you precise control over virtually every aspect of your production. Price $20/month or $50/month for all Adobe products.

It’s a way of life, which is unlikely to be ‘corrected’ soon. You always have to stay ahead of the game. Let’s look at a few codecs and how to deal with them. H.264 H.264 is the ubiquitous codec, and it looks like it will stay for quite some time. Adobe Premiere Pro supports H.264 natively, via either of the import methods mentioned in. For more information on shooting with DSLR footage, read the Adobe DSLR Workflow Guide.

H.264 – ALL-I The ‘new’ entrant to the H.264 family is just an interpretation of the codec with turned off. Adobe Premiere Pro supports it natively via either of the import methods mentioned in. AVCHD AVCHD is a ‘version’ of the MPEG-4 AVC specification, or H.264, and Adobe Premiere Pro supports it natively via either of the import methods mentioned in. XDCAM Sony codecs do find their way into Adobe Premiere Pro, but always ‘one step behind’, if you know what I mean.

Now that Adobe Premiere Pro supports all versions of XDCAM (EX and HD) natively via either of the import methods mentioned in, Sony has moved on, so to speak. Make sure you copy all the files in the media card folder to your source footage drive, keeping the folder name and structure intact. An advanced workflow (like using Gamma, etc.) is beyond the scope of this article, but you can start by reading the excellent Adobe XDCAM Workflow Guide. XAVC Sony’s new baby codec, is supported by Adobe Premiere Pro natively, albeit with a $350 third-party plugin from MainConcept (now part of Rovi): the Rovi TotalCode Plug-in. Caveat: If you want to use the plug-in, I highly recommend you don’t use the trial version. The trial version lets you test XAVC with a watermark, plus it watermarks a few other existing codecs as well!

CANON XF (MXF) This applies to files from both the XF series cameras as well as the Cinema EOS line (Cxxx). Make sure you copy all the files in the media card folder. Adobe Premiere Pro supports it natively via either of the import methods mentioned in. To know how to work with Log Gamma and other tricky stuff, I recommend you read the Canon Video Camera Workflow Guide. HDV and DV HDV is still supported natively, in both form as well as wrapped as MOV, etc. You can use either of the import methods mentioned in. Of course, you can also Capture HDV from a camera or tape deck directly.