Sep 5, 2012 - The second thing you notice about Philippe Pozzo di Borgo is his smile – it is engaging and generous. The first is his wheelchair. I am a lecturer in medieval Bosnian history at the University of Sarajevo. I wrote my doctoral dissertation on the re. More I am a lecturer in medieval Bosnian history at the University of Sarajevo. I wrote my doctoral dissertation on the relations between the.

Koch, for his part, was a daredevil from an early age. Now 24, he started gymnastics at six, and later on there was hardly a sport or outdoor activity he hadn't tried, including bungee jumping. Koch achieved fame in Germany for all the wrong reasons on Dec. During an appearance on the hit German game show called 'Wetten, dass?'

, in which contestents perform various outrageous stunts, Koch had planned to jump over five cars driving towards him using Poweriser jumping stilts. On live television, he failed, smashing into the roof of one of the cars, which was being driven by his father, and landing awkwardly.

He has been paralyzed from the neck down since then. Hard Time Saying No The accident came just as Koch had figured out what he wanted to do with his life. He had been accepted by the prestigious University of Music, Drama and Media in the northern German city of Hanover. The bet that he had been negotiating with the ZDF television network for months suddenly became less important to him, Koch writes in his book 'Zwei Leben' (Two Lives). Nevertheless, he says, he didn't want to withdraw from the show at the last minute. He doesn't like conflict, he adds, and has a hard time saying no. Both men are so-called tetraplegics, which means that their arms and legs are paralyzed.

They can only move their heads, and even that range of motion is limited. Koch also retains some control over his right hand.

It's one of the most severe forms of paralysis. When the two men, in their wheelchairs, are returning to their hotel rooms after dinner, they engage in a duel of politeness in front of the elevator. There is only room for one wheelchair in the elevator, and each of them insists that other one go first. Finally, Koch puts an end to the standoff by driving his electric wheelchair toward Pozzo di Borgo's wheelchair and giving it a small nudge. 'We're tired,' Pozzo di Borgo says the next morning, as he is being pushed into the room where the interview is taking place.

Koch also complains of tiredness. As is so often the case, both men spent a painful night and had difficulty sleeping. 'Let's start quickly and take advantage of the time,' says Pozzo di Borgo. The wheelchairs are positioned so that they can both look at each other comfortably without having to turn their heads too much to the side. A French interpreter is sitting next to them. 'You never know how long our bodies will play along,' says Pozzo di Borgo.

'In that respect, we tetraplegics are unpredictable,' he adds with a smile. Koch, did you like the film 'The Intouchables?' Koch: Yes, of course. Best of bowie 2 cd rar download free.

But that could also be because I can relate to the subject matter, at least indirectly. SPIEGEL: Does the film paint a realistic picture of life as a tetraplegic? Koch: I recognized a lot of things. But in some places, where everyday life becomes critical, complicated and not very pretty, the film was skillfully edited. In one scene, for example, the protagonist Philippe is standing in front of the aircraft and then, suddenly, the camera cuts to him strapped into the plane. It's the same with clothing, when the camera suddenly cuts to him wearing a different outfit.

I wish things went that quickly in real life. In my experience, it can sometimes take half an hour. SPIEGEL: Which scene did you particularly like? Koch: 'No arms, no chocolate.' Philippe's caregiver says that to him while holding some chocolate in front of his face. I thought that was really amusing, especially since close friends and family members say similar things to me. SPIEGEL: Isn't that cruel and mean?

Koch: Yes, perhaps both. But I think it's funny. 'No arms, no chocolate' -- that's just the way it is. Why should we whitewash things? SPIEGEL: What other scenes did you identify with? Koch: I was especially moved by the scene in which Philippe is in so much pain at night that he's practically jumping out of his skin. It shows him cramping up and literally tossing and turning inside, because he can't actually toss and turn, until his caregiver takes him on a walk around the city to distract him.