Feb 12, 2019.

The papers were received in very little order. Where materials were identified and categorized by Yevtushenko, that arrangement has been preserved and expanded to include uncategorized portions of the collection. The collection consists of nine series: 1.

Correspondence, 2. Political Papers, 3. Manuscripts, 4. Manuscripts by Others, 5. Performances and Exhibits, 6. Personal Papers, 7. Photographs, 8.

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Audiovisual Materials, and 9. The collection also includes books by Yevtushenko and books from his library, many with inscriptions to Yevtushenko from the authors.

Stalin's death in 1953 had a tremendous impact on Yevtushenko and his poetry. He witnessed the crowd that resulted in the trampling death of 150 mourners gathered in Moscow's Trubnaia Square. Yevtushenko's shock translated into disillusionment with Stalin and an appreciation for the importance of greater individual responsibility.

His subsequent poetry was less conformist, largely anti-Stalinist, and blended public and private themes. Yevtushenko became the most visible of a generation of young, post-Stalinist poets that included Andrei Voznesenskii and Bella Akhmadulina. They revived the Russian tradition of popular poetry readings, attracting tens of thousands of fans to readings in sports stadiums and public squares. In 1961 Yevtushenko wrote perhaps his best-known work, 'Babii Iar.'

Babii Iar is a ravine in the suburbs of Kiev where tens of thousands of Russian Jews and others were slaughtered by the Nazis during World War II. In his poem Yevtushenko noted the absence of a monument to these victims of Nazism and attributed this fact to Russian anti-Semitism.

The poem was immensely popular in the Soviet Union, and the Soviet composer Shostakovich developed his Thirteenth Symphony around it and other poems by Yevtushenko. Despite the popularity of 'Babii Iar,' Yevtushenko was not allowed to give a public reading of the poem in Ukraine until the 1980s. Yevtushenko's favor with the Soviet government fluctuated. As a result of his defense of Dudintsev's critical novel Not by Bread Alone, Yevtushenko was expelled from the Literary Institute and the Communist Party's youth organization in 1957. He was reinstated under Khrushchev's thaw and given permission to travel and read his verse abroad, where he had gained wide acclaim. He gave poetry readings throughout Eastern and Western Europe, the United States, Cuba, Africa, and Australia.

However, after Yevtushenko published his uncensored autobiography in France in 1963, the Soviet government curtailed his public readings and revoked his travel privileges until 1966. In the seventies Yevtushenko ventured into other art forms. He produced a play entitled Pod kozhei statui svobody (Under the Skin of the Statue of Liberty) in 1972 and published his first novel, Iagodnye Mesta (Wild Berries), in 1981. He played the leading role in Savva Kulish's 1979 movie Vzlet (Takeoff). He also turned to photography, publishing three books of photographs and exhibiting his work around the world. Yevtushenko wrote and directed two films, Detskii Sad (Kindergarten) and Pokhorony Stalina (Stalin's Funeral). Yevtushenko was elected an honorary member of the American Academy of Arts and Letters in 1987.