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Synopsis In 1943, the United States tests an anti-radar system to make the U.S. Navy ships invisible to the enemy. James Longstreet uses his experiment in the destroyer escort USS Eldridge that disappears from Philadelphia. The sailors David Herdeg and his best friend Jim Parker are projected to 1984, where they meet Allison Hayes. They unsuccessfully try to contact their base and out of the blue Jimmy disappears in a hospital.

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Allison helps David to visit Jimmy's wife Pamela, but Jimmy refuses to see him. Now David's only hope is meeting Dr. James Longstreet to learn what to do. Will he be well succeeded?

Quotes [ first lines]: [ making their cases before the judge in her office] This 'pestilent dust' that council refers to has appeared on only three occasions. Each time it was tested and the results: limestone. It's messy, but innocuous.: [ leans in toward Andrew] Innocuous?: Defined by Webster's as 'harmless.' : I know what it means. [ takes the packet of dust]: Thank you. Your honor [ takes a whiff of the dust]:, imagine how the children in this neighborhood are being made to feel: the constant pounding o-of.

Jonathan Demme's 'Philadelphia' throws us into a world of pain and stark truth that is few and far between in mainstream cinema. The sheer idea that a film would so blatantly take on the difficulty of AIDS and homosexuality, helmed by the director of 'Silence of the Lambs', the actor in 'Big' and the guy who played Malcom X, is staggering. AIDS is a reality and homophobia is a nasty truth that permeates our 'United' States of America, as well as the rest of the world. At the time that this film was released (about 1993), the U.S. Found solace in the idea that AIDS and homosexuality were dirty brothers in a distant family.

By placing the film in the 'City of Brotherly Love', hiring Bruce Springsteen to sing the title song and having an up-and-coming Tom Hanks star, director Jonathan Demme wisely readied an ignorant America for our first, uninhibited glance into the face of AIDS. Tom Hanks embodied his role in an Oscar-worthy performance, allowing us to watch as his lovely and lively Andrew Beckett deteriorate before our eyes.

Tom Hanks and the writers took to task the difficult and annoyingly controversial hurdle of playing the 'gay' character and placing the 'straight' audience into that different world. Stereotypes are mostly shied away from in the script with a few 'fem' gays and drag queens. These scenes are few, but are also a reality. Many a Christmas party have I attended with the same crowd ('fems' and drag queens) in the mix. The other, mildly annoying, factor in this film is that the writers inform us that squeaky-clean gay Andrew Beckett contracts AIDS at a porn theater from an anonymous stranger, while in a committed relationship. This annoyed me because I wanted a righteous victim, not a impure victim.

Yet as time has gone by and I have had the opportunity to work with many a victim of AIDS, whether be it male or female, gay or straight, I have seen that this too is an unfortunate reality. No one is perfect (gay or straight, male or female) and mistakes are often made. Costly mistakes are often made. This was a painful truth, but it is a truth nonetheless. In this, Tom Hanks as Mr.