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When we debunk movie myths, it's usually bad news for lazy people. We've found that movies often undersell the difficulty of things like,,, and even. And I've verified through independent research that doing all four at once is not a realistic career goal. The dream will never die. Fortunately, it turns out there are some fairly idiot-proof tasks which movies pretend are difficult. Story structure demands elements like clever arguments, plot twists, and wealthy billionaires dancing through shifting fields of laser beams, and it turns out reality is decidedly less crazy about those things. Where You've Seen It: Ocean's 12, The Thomas Crown Affair, Entrapment The Myth: In the world of heist films, art thieves are the Ivy League.

The job requires a thief who appreciates culture, has the gumption to steal something famous, and, most importantly, possesses the skill set necessary to navigate complex fields of laser beams. The wealthy art thief from Ocean's 12 does gymnastics through the laser beams that protect all works of art. Not only do they outclass bank robbers, with their regional American accents and bargain basement ski wear, but not caring about money also seems to be a prerequisite for stealing art.

'Bored by how rich I am' is the only discernible motivation of the titular billionaire in, who has presumably turned to this diversion after tiring of hunting humans for sport. More than anything else, the art thief is drawn by the challenge. In, another retired Bond finds himself in a love triangle with Catherine Zeta Jones and Catherine Zeta Jones' ass, and the mismatched trio have to spend months preparing to steal a painting, even though the movie makes it clear that they both have superpowers (typically used to disappear behind moving trains, for some reason).

Catherine Zeta Jones and Catherine Zeta Jones' ass learn to work as a team during laser beam practice. In Reality: Art heists are like bank robberies graded on the easiest curve possible.

When two men stole Munch's The Scream in 2004, the crime was considered shocking because. In 2010, French officials marveled at the 'extreme level of sophistication' displayed by a thief who stole $100 million in art. We don't expect people who work at museums to be on top of the latest trends in the criminal underworld, but those are all things junkies remember to do when boosting stereo equipment. You'd think the main attraction would be the money, but according to experts, thieves typically have to ' of the art they've stolen. Just like a teenage shoplifter, art thieves steal whatever is closest to the door and hope it's valuable. That's not the only move they've borrowed from criminal masterminds like Winona Ryder.

The shoplifter's method of pulling stuff off the wall and shoving it inside your jacket also seems to be the go-to method for swiping art from museums. As we've, a French guy named Stephane Breitwieser stole $1.4 billion in art from over 170 different museums by sticking paintings in his oversized coat. And a maintenance worker managed to steal the freaking Mona Lisa by hiding it inside his smock. The most successful heist in the history of the art world happened in Boston, has never been solved, and could have been planned by a five-year-old. After using police costumes and fake badges to get into the museum, the two thieves had to subdue a grand total of two security guards -- both 20-something 'musicians,' one of whom admitted to showing up for work stoned. At one point, the thieves accidentally tripped an alarm they somehow hadn't prepared to pole vault over.

Fortunately for them,, like a glorified baby monitor. Police Interrogation Where You've Seen It: LA Confidential, The Usual Suspects, Basic Instinct, Law & Order and every other crime procedural on TV The Myth: The interrogation room is a chess board where mentally dexterous cops try to punch holes in the carefully constructed alibis of master criminals. The police will often pair physical intimidation with clever mind games like 'good cop / bad cop.' Of course, they've got their work cut out for them, since most criminals can talk their way out of anything. In The Usual Suspects, the most untouchable criminal in the world weaves an elaborate tale just to mess with the cops' heads, and in, Sharon Stone's character masterfully uses the complex psychology of the interrogation room to show everyone her vagina. The officers get their confession using the old, 'good cop / shoulder rub cop' gambit. That's, which uses emotional bonding, repetition, and empathy to convince a suspect that everyone in the room totally gets that he had his reasons for shooting that dude in the face.